Our seasoned producers, technicians, engineers, and creative staff have unrivaled experience in overcoming production and content challenges through the use of technology and innovation.
Production workflows have fundamentally changed in recent years. Developing state-of-the-art facilities in Europe to accommodate our continued expansion is paramount, and we will continue our growth in other territories in the near future.
We are remote production experts. Our high-end remote production uses professional broadcast cameras with full remote control from our centralized production centers. By reducing the amount of equipment and space required, we save travel, shipping, and venue costs.
We have extensive experience in providing centralized VAR setups featuring video operation rooms (VOR) where referees/VAR/AVAR can review matches with minimal latency.
The full-size trailer offers 14 workspaces and is equipped with up to 15 Grass Valley cameras using Fujinon lenses. It leverages a variable and modular workplace design with innovative workspace solutions. The production tool is built around the Riedel MediorNet UHD/HDR decentralized routing system.
DMC has an impressive network of professional freelance commentators and technical facilities in London, Stockholm, Oslo, and Copenhagen in which to provide off-tube commentary. The centers are connected via fiber and host a professional environment with audio mixing, talk back and QC through our MCR’s.
We provide high-quality streaming and IP delivery services to most of our customers for OTT’s, play channels, including SRT for broadcasters. With our intake via satellite, fiber and/or IP we are a natural solution provider for betting companies and other turnaround-services.
By centralizing graphics implementation, we can offer a uniform production for federations and leagues. Through innovative integration, we acquire metadata from timekeepers, on-site reporters and databases and can offer a reliable, semi or fully automated solution for sport events around the world.
Nothing is too big or too small.
Our team is there to support you and your needs in the best way possible.
Our experienced producers, technicians, engineers, and creative staff have vast experience in overcoming production and content challenges through the use of technology and innovation
We work regularly with international sport events globally. Connectivity is key to our workflows in enabling reliable and cost-efficient solutions.
With in-house capacity for satellite access and fiber-connectivity to GlobeCast and BT-Tower, we can offer global distribution for all markets.
We can offer a wide range of equipment for any production or event.
Example:
• Cameras: GV LDX 98 (UHD)
• EVS 12 ch (4 ch UHD-4K)
• SuperSlomo
• Lenses
Our new, state-of-the-art UHD/HDR OB-van is a full-size trailer housing 14 workspaces and is equipped with 15 Grass Valley cameras using Fujinon lenses. The production tool is built around the Riedel MediorNet UHD/HDR decentralized routing system. It leverages a variable and modular workplace design with innovative workspace solutions. Low noise level design and best-of-breed air conditioning and air-cleaning systems complete the OB-van.
• Vision Mixer: GV Karrera
• Audio Mixer: Lawo
• Cameras: GV LDX 98 (UHD)
• Lenses: Fujinon Std lenses,
• EVS 12 ch (4 ch UDH-4K)
• Intercom: Riedel Artist
• AJA UHD Recorder/Player
Revolutionizing remote production our fleet of low emission and electric vehicles swiftly navigates between production sites outfitted with the latest technology for smooth operations. Thanks to careful fleet management we reduce travelling and costs for each production.
To deliver VAR operation and production of the various Norwegian sports for TV2, DMC has built a new broadcast center in Oslo, including a centralized VAR setup featuring eight video operation rooms (VOR) where the Norwegian Football Federation’s referees/VAR/AVAR will review all Eliteserien matches. All cameras from the Eliteserien and other sports venues will be connected to DMC’s production center, enabling the recording of live feeds on a backend server from EVS.
Production of 700 live sports events per year. Remote and OB-production providing full camera chains with super-slomo and graphics.
World Feed production center adding centralized graphics and English commentary. All contribution from venues to DMC’s facilities are carried over IP
Remote production of 250 matches/season through the production center in Stockholm over NDI, using local cameramen and commentary.
World Feed remote production utilizing 4G/5G solutions.
Host broadcaster for domestic TV and ATP Media's global production.
Added services for global distribution and streaming.
